As I have mentioned before, the series
of English essays in THE HINDU, India's finest newspaper, with which I
made my debut as an amateur journalist in the 1960s, had a classic
literary quality, whether they were psychologically insightful character
studies (like The Marker, The Liftman, The Railwayman, The Old Boys, The Family Doctor) or just purely humorous sketches (like Hankies Galore!).
So here are my reflections on keys, published in Madras 50 years ago, which are likely to ring true anywhere in the world today:
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THE HINDU
Sunday Magazine, 1965
Causerie On Keys
Keys have a way of growing
on rings. Time and again you suddenly discover that you are carrying a
surplus of keys, and you simply can't imagine what they're all wanted
for. The locks they could have opened have long been left behind,
though the keys have remained faithfully with you. However, you never
can prune your key-ring without a lot of misgivings; so you just put
the extra keys in a drawer while you're thinking it over, and they
accumulate rust for the rest of your life.
The
prudent man seldom loses his keys; but when he does, he finds himself
in no less tight a corner than the sloppiest Bohemian. I don't know
where exactly all one's duplicate keys go, but I'm certain that they can
never be found when they're most desperately needed. Not infrequently,
they would be inside some box whose key is among the ones you've just
lost. There's often nothing you can do about it except smash
things up a bit. Of course, when there's a car or a safe to be
considered, the situation is a pretty grim one ; but there is never
any sense in panicking. In some respects keys are like pigeons: and
when they're misplaced they have a powerful urge to find their way back
to you. The important thing is to keep a cool head, and await
developments confidently. It does turn out almost always that the
wretched things were only in the other pocket, after all -- unless, of
course, they had been under a cushion in somebody's drawing room or in
your own car.
Keys
signify many significant things. They may no longer be a reliable
index of one's property, as they must have been in the distant past;
but they still are a tangible measure of your authority and
responsibility, and of the trust placed in you by your family and
friends, your employer, or even the public. The latch-key of your
little apartment could be a yardstick of your happiness (or, of course,
your misery). A turn of the jailer's key deprives the prisoner of his
freedom, yet it has only to turn again to set him free once more.
Certain keys, moreover, are symbolic per se, like the ones
presented by hospitable city fathers to visiting dignitaries.
Naturally, keys make an impact on their custodian's emotions. But
they're as varied in appeal as they are different in design: some keys
could make you quite sentimental, while others are capable of remaining
so coldly impersonal.
I
think collecting keys ought to be a fascinating hobby, and I am
surprised that it doesn't seem to be a popular one, even in these
original days when everything from pen-knives to picture postcards is
grist to the collector's mill. I dare say it's a pity, for keys do come
in such interesting shapes, and they have a way of suggesting such
intriguing associations. You could often wonder what part in history or
romance each key in your collection had played; you could stroll
about, so to say, near a treasure-house of imagination, and patiently
wait for some magic key to reach your hands and throw its doors open for
you. But unfortunately, although everyone does pile up his or her
share of them in their cup-board, keys by and large seem destined to
elude the true collector's fancy.
Locks
are a challenge to mankind's ingenuity, as well as a verdict on its
character. Millions of them lie scattered all over the world, each made
in its own unique way, protecting not only the fabulous wealth of the
rich but also the pathetic possessions of the poor. Keys reflect, above
all else, a glaring inadequacy of goodwill among civilized men.
Perhaps what society awaits is a daring innovator -- you might say a
philosopher endowed with a burglar's genius and a Henry Ford's
enterprise -- who would mass-produce a master key to open all the
world's locks; but is such an unusual keysmith likely to succeed any
more than the poor alchemists who groped so uselessly for the mysteries
of metal and the elixir of life?
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